Programming in Cycle.js is kind of like wiring up an electronic circuit.
You could imagine a visual programming tool coming out of this. Not just to help in visualising the data flows but to actually program with it.
Programming in Cycle.js is kind of like wiring up an electronic circuit.
You could imagine a visual programming tool coming out of this. Not just to help in visualising the data flows but to actually program with it.
The Virtual DOM concept has been often emphasized for its speedy performance. But there is also an equally important — if not more important — property. The concept makes it possible to represent the UI as a function of its state.
A very good introduction to reactive programming with Cycle.js by its creator André Staltz. This is an alternative way to write apps from using libraries sch as Redux but there is also a lot of overlap. Cycle.js is an app development framework built that top of a reactive streaming library such as RxJS.
Cycle.js is a framework where your app is described as a simple function taking an event stream as input and outputting an event stream.
Cycle.js builds on RxJS and is a reactive and functional JavaScript framework. What does that mean? In the course, André Staltz, the creator of Cycle.js, will explain it to us.
Sagas are Middleware for your Redux store. They simplify your action creators and let you write asynchronous code in a synchronous way.
Google vs Apple.
“This is the greatest country on earth… I was in Australia, and I found out they wouldn’t even let a black man become a citizen there. That’s why I wrote that song. You know ‘Back in the USA,’ don’t you?”
http://www.rollingstone.com/music/news/chuck-berry-the-father-of-rock-turns-75-20011206
Check out Strange Beasts. The new augmented reality game.
Humans still do some things better. Thus perhaps buying human labour a reprieve for a few years from the automation Singularity.
Via Olivier Malinur
The productivity of the remaining workers went up by 2500%!
A very long but very worthwhile essay from 1997 by Loren Goldner which goes into the pivotal role the Enlightenment played both in its positive and negative aspects in the shaping of modern thinking. While the Enlightenment placed the universality of humanity at centre stage it also brought into being new ways of subdividing humanity into a hierarchy of races.
This essay goes into the historical background from which the Enlightenment emerged, the falling away of old Medieval notions of common humanity (Adam’s children), the needs of the newly unified Spanish kingdom and with its anti-semitic and anti-Muslim imperatives, the rise of the post-Reformation revolutions and ultimately to Anglo-French imperial rivalries. Through these changes came new ways of thinking for a new social order. It gave birth to colonial era racism, a justification of slavery and to biological theories that pointed directly ahead to Nazism in the 20th century. But it also unleashed other forces— the “best” parts of the Enlightenment which are still celebrated today—ideas that were synthesised by the post-Enlightenment thinkers into demands and programmes dedicated to emancipation, universalism and liberation.
The Enlightenment contributed to the Western theory of race, and the real separation of culture from biology was the work of post-Enlightenment figures such as Marx, and above all the real historical movement of the past century. Nevertheless, when the Enlightenment is attacked today — by Christian, Jewish, Muslim, and Hindu fundamentalists for separating religion and state, or by the new biologism of the New Right or the Afrocentrists for its universalism, or by the postmodernists as an ideology of and for “white European males” — it is the best of the Enlightenment, the liberté, égalité, fraternité of the Parisian and Haitian masses in 1794, and the best post-Enlightenment heirs such as Marx, which are the real targets. Such attacks remind us that, once critique is separated from the limitations of the Enlightenment outlined here, there is plenty of mystification still to be debunked.